
By Kjartan Fløgstad
Shortlisted for the Brage Prize 2014 Adi Enberg, Marina Noreg, Magdalena Freud Joyce: three enigmatic and complex women who set their stamp on – and were fatally marked by – the…
Shortlisted for the Brage Prize 2014
Adi Enberg, Marina Noreg, Magdalena Freud Joyce: three enigmatic and complex women who set their stamp on – and were fatally marked by – the times they lived in.
Set in the fateful years between 1939 and 1942, The Magdalena Fjord is a multi-layered contemporary novel about our recent past. The story stretches from Narvik up North via a fictitious Lovra to a Spain darkened by the clouds of Fascism. While the world is being ravaged by war, the young shipping heir Conrad Tandem embarks on a business trip that will lead him straight through Europe, from south to north. A couple of decades later the adolescent sailor Frank ”Keu” Tverrli is denied shore leave in the US. He compensates by turning into a giant who moves cars with his bare hands, chews knife blades and spits nails. In addition to being a giant, he is acquainted with The Prince of Asturias and the Catalan writer Josep Pla, not to mention a multitude of women, some fictional, some historical, some faithful and some faithless.
Reading material: Norwegian edition English sample translation
Translated review
It's often partisan, conspiratorial and self-righteous. Nevertheless, this stubborn attitude is a motor which drives his literature forward with great thrust. The last thing you should wish from Fløgstad are balanced and well-tempered novels.
AftenpostenWhen faced with a new novel by Kjartan Fløgstad, the reader is already after a few pages pushed into pondering the historical novel's possibilities in the meeting with our recent past ... Fløgstad is an undisputable giant who writes works we don't get far into before discussion starts welling up inside us ... The contrast between the literary cornucopia and an almost exorcist optics is one of the reasons why THE MAGDALENA FJORD drives the reader between enthusiasm and rage from the first to the last page ... Few writers can yank us out of our habitual thinking patterns like Fløgstad, in spite - or maybe because - of the fact that his conclusions I believe I can draw from this novel make me want to smash the book at the wall as hard as I can.
Morgenbladet