
By Zeshan Shakar
Winner of The Bookseller’s Prize 2022 NORLA Selected Focus Title
Aren’t they supposed to have more, I remember thinking. They were from here after all, Norwegian-Norwegians – shouldn’t they own stuff? All the stuff I saw other people’s parents and grandparents owning. Shouldn’t they have the same stuff? Not even a cabin? At least one without any electricity or water in a place where no one else wants a cabin, like in the middle of the woods in Øvre Romerike. They didn’t even have that. I asked my mother about it. She looked annoyed. All she said was, ‘That’s just how it turned out.’
A man is visiting his father, who is moving to Pakistan. His father doesn’t want to grow old in Norway and his small apartment needs to be emptied.
The chore awakens memories from the man’s own childhood and youth, thoughts about his relationship with his own children, and reflections on his parents’ story – a story that began long before he was born. What are they really leaving behind?
They Call Me The Wolf is a wise and moving examination of culture, history, family, identity and masculinity. It’s a novel about being a man from two countries, about having a mother from Finnmark and a father from Pakistan. It’s about being a parent, about the housing market, and about childhood. And it’s about survival and being hungry like a wolf.
…an unassuming, moving story about growing up between two cultures.
Turid Larsen, DagsavisenWith his third novel, Zeshan Shakar shows once again how “descriptors” — whether they take the form of language, ignorant prejudices, daily behavior, or politics — shape bodies and lives. […] Shakar again demonstrates he is an author capable of very memorable and intense scenes […] And a writer who writes scene, there is a lot to set expectations for. He has timing, an attentiveness to the minor details, an ability to use different forms of language […] The touch and gaze in “They Call Me the Wolf” assure the reader that this authorship has much more to offer in the future.”
Bernhard Ellefsen, MorgenbladetZeshan Shakar is back as an innovative wordsmith. A warm and tender portrait of a father who is on the verge of disappearing […] a reader experience with a light touch and a feeling that declarations of love can come in a multitude of forms, and through examples, a personal study of language.
Ingunn Økland, AftenpostenAbounds with tenderness and melancholy. Zeshan Shakar’s new novel is an aching story about giving your all and still ending up on the outside, empty-handed […] The novel provides interesting perspectives on growing up in Norway. Still, it is the description of the relationship between father and son that is most powerful: The father’s mild character and eager conversing in English and limited Norwegian. Everything they don’t say to one another. As for the son, his feelings for his father comprise both frustration and love, both respect for his work ethic and disappointment over what his father has achieved. It is a relationship that is beautifully depicted by Shakar, and it touches at the very root of one’s heart.
Maya Troberg Djuve, Dagbladet… packed with complications and tensions. […] They Call Me the Wolf serves up a lot food for thought – for all of us.
Jan Askelund, Stavanger Aftenblad