
By Tomas Espedal
In contemporary Norwegian fiction Tomas Espedal's work stands out as uniquely bound up with the author's personal experiences. TRAMP (2006) introduced us to the wanderer Tomas. AGAINST ART (2009) is a novel that focuses on the author; on how a boy approaches art and eventually becomes a writer. It is about the profession of writing, about routines, responsibility and obstacles.
AGAINST NATURE is an examination of factory work, love’s labour, the job of writing. Working in order to live in compliance with society and nature. But what is natural, and why is the narrator drawn towards impossible, impossible love, books, myths, taboos? He reads the story of Abélard and Héloïse, about young Marguerite Duras and her Chinese lover, and realizes that he too is turning into one of those who live against nature.
No one describes the everyday – the countless small tasks of life – with such sensitivity, no one interpolates existential questions more certainly, even Knausgård must give place.
DagsavisenThis is a short narrative, and yet it encompasses a myriad of important crossroads and minor dramas in the life of the main character. The sequencing of the various timeframes and events into a larger drift is impressively managed. The transitions from event to event – often spanning large tracts of time – are supremely supple.
MorgenbladetFew Norwegian novels are so full of wonderful prose and small passages tempting to quote, as those of Tomas Espedal.
Dagens NæringslivAGAINST NATURE stands out as one of the star works in Norwegian publishing this autumn.
Vårt Land