
Tormod Haugen (1945-2008) is one of Norway's most prominent authors for children and teenagers. He was born and grew up in a little village in the middle of a Norwegian forest. As a young man he moved to Oslo to study German literature and language, the history of art, and literature. He made his debut as an author in 1973 and produced a broad, rich authorship. Haugen's books have been translated into 24 languages.
Haugen started his authorship in the realistic tradition. From the start his books reflected his refined taste as a writer combined with a personal style. Using low key, intense language packed into tight form, he worked reality into the art of a well written novel, an art his most frequently translated novel, Nattfuglene (The Night Birds, 1975), is a good example of. In this book he also combines, with poetic feeling and literary mastery, elements of fantasy into realism to portray the feelings of children when they are threatened by adult incomprehension and lack of insight.
Since that time Haugen's novels continually crossed the borders between fantasy and realistic literature, just as they traverse the boundaries between child and adult literature. He weaved into his stories elements from Norwegian folktales and myths and from traditional international children's literature. He showed himself as an experimental and creative author. In the early 1970s he widened the dimensions of social realism, and continued until 1989 when he published (The Scream from the Jungle) which has been characterized as the first post modernistic novel in Norwegian children's literature. The language varies from novel to novel, from the low key intense, to the exuberantly fabolous. His first concern is always to tell a story, using people as a basis – people with their variety of feelings, relationships, and reactions. He delves deep into the relationship between children and their parents, and writes of their bonds, separations and of the child's fight for his integrity which may end in a battle of life and death. Dreams and fantasy are strong weapons in this battle.
«The idea of the invisible child or invisible childhood is clearly discernible in Tormod Haugen's books for children and young people. These books are radically different from much traditional children's literature. Tormod Haugen never preaches authorized morality, nor does he glorify the lost paradise of childhood. He carefully brings to light the hidden, dark threads of pain belonging to childhood, and shows us how closely they are tied to the golden threads of joy. Childhood is the most receptive stage of life; at no other time do we gain so many and such strong experiences. When Tormod Haugen brings forgotten childhood back to memory, he revives children's helplessness and loneliness, their sorrow and anxiety, but also children's strength and creative power.»
Asfrid Svensen, Bookbird, 3/98
Literary Prizes – A Selection
2005: Nominated for the Astrid Lindgren Prize.
1997: The Norwegian School Librarian's Award for Georg and Gloria (and Edvard).
1990: H.C. Andersen Award
1989: The Department of Culture's Prize for The Scream from the Jungle.
1987: The European Children's Book Prize Pier Paolo Vergerio for The Story of Merkel Hanssen and Donna Winter and the Great Escape.
1986: The Nordic School Librarian's Award for The Day that Disappeared.
1984: Shortlisted for the The Nordic Council’s Literary Prize for The Day that Disappeared.
1979: The Department of Culture's Translators Prize
1979: Deutsche Jugenbuch Preis for The Nightbirds.
1979: The Children Librarian's Prize for Joakim.
1979: Norwegian Critic's Association's Prize for Joakim.
1976: The Department of Culture's Prize for Zeppelin.
1975: The Department of Culture's Prize for Nightbirds.